A little while ago Erin McKeown, an American DIY musician, producer and activist, came to Brighton as part of her tour to promote her new album: Manifestra. Erin is a 2011 – 2012 Fellow of Harvard University’s Berkman Centre for Internet and Society, which studies alternative independent methods of earning for musicians. Her own research contemplated how to make a creative life a viable profession, so I went down to have a chat about her work, PledgeMusic and making the world a less violent place.
What is the most important thing for you to communicate through your music?
For me, it is a sense of another world besides the one we live in. One that is more poetic, and saturated.
You experiment with a wide variety of musical styles. Are there any genres (besides folk) that you find particularly suited to your particular blend of musical activism?
I have always thought rock was excellent for activism. A great chorus can really change the world. Also, Afrobeat has a wonderful history of activism in its songs. you don’t just need an acoustic guitar!
Do you see the current issues surrounding copyright and digital streaming services as a major barrier for a future harmonious relationship between tech and music companies?
As long as someone figures out how to make money again off of musicians, the music biz and tech world will get along fine in the future. It is the day-to-day lives of musicians that I worry more about… How will we continue to make music and be part of our communities if we cannot make a living from being artists?
Continue reading “On incentives, songwriting and activism: Erin McKeown”
It’s been a while since anything got me excited enough to inflict my opinions on the Internet (today that’s you), but that brief reprieve is now over. Something or someone (hint: it’s a someone) has me so jumpy and excited I just couldn’t make it through the weekend without letting you know about it. If you want my opinion (I hope so or this is really the wrong website to be on) if you’re not frantically Googling the name Sabrina Altan by the time you’ve heard the audio embedded here, I’m afraid you’ve probably been born with a complete lack of conscious thought and you’re most likely to be dangerously insane.
Go go go
She’s taken the basic elements of music best referred to as Neo-Soul and filled in the gaps with her Freudian superego. Quality Neo-Soul looks to both the past and the future – maintaining a fiery outer shell of musical elements swirling around the immense gravitational pull of the central performer, and Sabrina brings a comfortable confidence to her performance that staples her message to the front of your brain, while her band backdrop it all with the relaxed style of people who really know what the fuck they’re doing. The brief moments of explosive virtuosity shining out through each song launch each stunningly executed phrase into the next, as sultry verses suddenly mushroom into vigorously amorous choruses. Continue reading “Listen to this – Sabrina Altan”
Chances are, you’ll know very quickly whether or not you like the CD Believe in This by Collisions. Their music doesn’t take its time to get to know you, to massage your ego, or gently prod at hidden desires. Instead, the band serves you a harmonious combination of sounds taken from nu-metal and contemporary dance music that could soundtrack a movie like Tron or the next space race. Using a calculated blend of rhythms to drive every song forward, the band’s real strengths are the way they’re able to give this EP a sense of mass, and acceleration. You can feel the weight constantly pressing on your mind, as each section of every track finds some way to ramp up the force. If this is your thing, and you’ll know that very quickly, it’ll leave you breathless and sweating, screaming out chorus lyrics like a medieval battle cry.
Continue reading “CD Review: Collisions EP ‘Believe in This’”