There are hundreds of directions music could take in the new web wide world. Records like Konoba’s ‘Mind the Gap’ provide an exciting glimpse at a destination any aspiring singer songwriters should be endeavouring towards. It culminates a life’s work. There’re plenty of releases with great songs well performed, but what makes this stand out is a production style that’s unique to one man.
Konoba (real name Raphael Esterhazy) is a native French speaking, Belgian born architecture student. He took the chance to travel to London to study music, then to Brighton to study production, and then brought the two worlds together with a playful flair that demonstrates the huge potential for a creating with a home studio.
The album kicks off with the track ‘Everything is Everything’ and a few bars of a hard edged industrial loop, made using a sample of a broken printer. The minimalism of the opening bars opens up to a flowing acoustic guitar part and a warm vocal; a whole chorus from one voice. He uses the studio and the technology as another instrument in itself, made up of smaller individual sounds, but ultimately built into the track in a way that gives it a voice of its own.
Breathing life into technology the way Konoba has managed to on this is no small task. It means creating an extension of an idea that has been explored before in the music of people like Radiohead: how do you express emotion through technology? ‘Mind the Gap,’ explores this, perhaps unconsciously, and provides a very strong argument that technology doesn’t hinder the pursuit of true expression. In his own words: “There’s a lot you can these days with a little bit of equipment, if you know how to use it.”