Sofar #291: Brighton – 26th Febuary 2013

Originally posted on the Sofar Sounds blog on the 4th March 2013.

Words/Editor: Adam Wilson (Website)

Photographers: Tony Jupp (Website) & Chris Poots (Flickr)

Sorry to tell you this, but you missed it. That’s it; the best Sofar Sounds gig to date and you (probably) weren’t there. I bet you’re glad I’ve written as much as I can to convey something of what you missed. (Unless you were there; if so, ignore the first bit and start reading from here).

As I walked in, a rectangular room packed wall to wall with bodies was there to meet me. All super sexy Sofar Sounds bodies of course, but even Sofar people have arms and legs that need to be carefully folded and tessellated to accommodate everyone. It’s funny though, how marking out your territory for the evening seems so important for those first five minutes… Then the music starts.

 

 


Marika Hackman opened up the night with a track called “Retina Television”, from her album “That Iron Taste” (released 25th Feb) stripped of everything save her voice accompanied by her guitar. Appearing before everyone as a loan figure in a packed room, dressed in a sweatshirt and jeans she was at once disarmingly honest and absolutely magnetic.

 

 

As her set progressed, the eerie imagery and lonely delivery of her lyrics began to have an effect on us, catalysed by the Sofar atmosphere. Her music always slightly dodges your expectations, as you listen out for the phrase to end and the section to change, it lasts one more bar, or one less. Using what sound like simple, honest comments on elements of her life, Marika’s almost supernatural aura can completely fill the audience’s collective mind, using words to paint her peculiarly magical portraits across our perception.

 

Anna Phoebe, up next, is already well known for a career including collaborations with Jon Lord (Deep Purple), Roxy music, and being as a member of the Trans-Siberian Orchestra. This violinist is a bit different to the rest. No one seems to have told her that they traditionally do as they’re told, suppressing their personality in the name of perfecting the execution of a composer’s manuscript.

 

 

Instead, her music blends her personality with the full range of her band’s influences, utilising the underlying mechanics that first supported the music of Duke Ellington as the rhythm section sets up a smooth bed of warm sonic layers, on top of which the incredibly skilled Anna weaves complicated but beautiful melodic lines, occasionally textured with palm muted guitar. The interspersing and complimentary themes on guitar and violin echo the playing of two other jazz greats, Coltrane and Davis. Despite these comparisons, the music is definitely not jazz. Anna brings her signature blend of the concert hall and the stadium, swapping the heavier, rockier side of what she does for a chance to play something more intimate and intricate.

More than a bit Po-Mo, retaining an ambiguity only occasionally punctured using leitmotifs that anchor your attention. The range of influences and their arrangement in the live set made it feel like a live artistic answer to Sgt. Peppers, perhaps helped by the addition of the distinctive tabla, piercing the musical mix with flurries of triplets that fill out the sound and introduce more ambivalence to any sense of cultural place brought about the traditional line up of guitar, electric bass and drums that make up the rest of her band.

This lady, who narrowly escaped the possibility of becoming a politician early in her career, succinctly demonstrated to us the results of a life’s complete dedication to perfection in all aspects of her chosen artistic craft.

Coming up next and snapping us out of a trance, blowing away all mental cobwebs, were CC Smugglers.

 

 

At Sofar, we can’t help but love bands that break the rules.  Continue reading “Sofar #291: Brighton – 26th Febuary 2013”

Thavius Beck: The Most Beautiful Ugly

So I spent my Sunday listening to the latest album from LA based Thavius Beck, ‘The Most Beautiful Ugly’.

Before I even begin tell you about the sound, take a look at the album art.

At the centre, a digital face with Thavius’ likeness fixes the listener with an intense stare, further heightened by the snatches of imagery warped inside the outline of his hair. It hints at a city struck by lightning, bordered with flames and meteors burning around the creator’s cranium. The blank stare, directly into the eyes of the beholder, converges this imagery into an idea, fixed on us with an unwavering concentration.

At least that’s what I see, now I’ve heard the noise it represents.

Continue reading “Thavius Beck: The Most Beautiful Ugly”

10 Cheap christmas gift ideas for 2011

Getting hold of good, original musical gifts can be very frustrating…which I discovered over the past few weeks. I like to get all my Christmas shopping done before December, and whilst desperately trying to resist buying anything that I didn’t need, I compiled this quick list of awesome gift ideas, which you’re more than welcome to use, if you like.

Continue reading “10 Cheap christmas gift ideas for 2011”